Artistry of Brian Eno: Brian Eno is a versatile artist known for his work in music, composition, installation art, political activism, and writing. He is a founding member of the Long Now Foundation and coined the name “Long Now” and the 10,000-year clock concept. Eno’s contributions to the Long Now Foundation include an installation piece called “77 Million Paintings” and designing the music and visuals for the organization’s museum, bar, and office space.
Danny Hillis’s Inventive Nature: Danny Hillis is a prolific inventor with numerous patents to his name. He is known for his work on massive parallel processing, the metaweb, and proteomics. Hillis’s most notable invention is the 10,000-year clock, which he has been continuously developing for over 20 years.
The Significance of Long-Term Thinking: Brian Eno reflects on the importance of long-term commitment in art and the message conveyed by the Long Now Foundation’s clock project. He emphasizes the value of creating something tangible and enduring rather than relying solely on virtual representations. Eno highlights the need to externalize experiences and engage in conversations that transcend immediate goals and consider broader perspectives.
The Long Now Foundation’s Purpose: Danny Hillis describes the Long Now Foundation as an excuse to step back from short-term thinking and consider the bigger picture. He emphasizes the importance of having conversations that are different from everyday discussions, allowing for more expansive and creative thinking. The foundation aims to initiate long-term conversations that can contribute to the future by starting threads of thought that continue over time.
Art as a Conversation: Brian Eno views art as a conversation, a continuous dialogue between creators and audiences. He emphasizes the importance of understanding a piece of art in relation to the broader history and context of art. Eno uses Kazimir Meljevic’s “White on White” as an example of a painting that is significant within the history of painting, despite its seemingly simple appearance.
00:12:56 Cultural Objects and Their Impact on Thinking
Cultural Objects and Notions: Cultural objects, such as paintings, can significantly influence our understanding and notions about various concepts. Brian Eno highlights the example of Stuart Brand’s campaign in the 1960s or 1970s to persuade NASA to release the first picture of the entire Earth taken from space.
The Power of Imagery: Eno emphasizes the transformative impact of such images, which can alter our perspectives and ways of thinking. The release of the first Earth picture from space is presented as an instance of this transformative power.
The Clock of the Long Now: Eno introduces the concept of the Clock of the Long Now, a metaphorical presence designed to prompt different thinking patterns. The clock aims to serve as a reminder of the vastness of time and the significance of long-term thinking.
Personal Artistic Experiences: Danny Hillis shares his unconventional artistic practices, such as painting over Dutch masters with white acrylics, which sparks reactions and discussions within the art world. Brian Eno mentions creating a similar piece, but with a smaller scale and a distinct border, demonstrating diverse artistic interpretations.
00:15:36 Imagining the Future: Challenges and Possibilities Over Long Time Frames
Egyptian Artifacts and the Essence of Culture: Brian Eno’s visit to the British Museum’s basement revealed a tiny bronze casting of a mother cat feeding kittens, crafted 4,000 years ago with intricate detail and care. This artifact provided Eno with a deeper understanding of Egyptian culture and their fondness for pets, challenging preconceived notions about ancient societies.
The Clock as a Work of Art and Conversation Starter: Eno and Hillis discuss the clock’s dual nature as a functioning machine and a work of art, with Eno emphasizing its role as a conversation piece that prompts discussions about the distant future.
Imagining the Distant Future: Hillis identifies two standard imaginations of the future: one where Earth becomes a utopian garden overseen by benevolent machines and another where humanity fails to solve problems, leading to a dystopian scenario.
The Spectrum of Challenges and Progress: Hillis suggests that the future will likely involve a series of challenges, both global and social, that humanity will rise to meet, similar to historical patterns of progress and adaptation.
Expectations and the Future: Eno highlights the significance of expectations in shaping the future, contrasting the optimistic outlook of the 1960s with the more pessimistic outlook of his daughter’s generation. He emphasizes the need to avoid a feedback spiral of negativity and survivalism and to strive for a more upbeat vision of the future.
Historical Progress and Unintended Consequences: Hillis reflects on the historical trend of improvement in areas such as civil rights and economics, acknowledging unintended side effects that were often overlooked. He mentions the assumption that space would be the new frontier, acknowledging a disagreement with Eno on this topic.
Danny Hillis’ Perspective: Danny Hillis disagrees with Brian Eno’s disinterest in space exploration. He believes that over time, humans can adapt to other planets, such as Mars, through synthetic biology. Hillis suggests that humanity’s future lies beyond Earth, as we are capable of overcoming technical challenges and adapting to new environments. He envisions a future where humans explore and settle other planets, much like our ancestors explored and settled different parts of Earth.
Brian Eno’s Perspective: Brian Eno expresses concern that space exploration may lead to neglecting the problems on Earth, such as environmental issues. He believes that humanity should focus on resolving current challenges rather than seeking solutions elsewhere. Eno emphasizes the importance of considering various perspectives and potential conflicts that may arise in the future, such as the debate between optimists and pessimists or planners and improvisers.
Shifting Boundaries and Global Unity: Danny Hillis discusses the evolving concept of “we” throughout history, from national identities to a global perspective. He questions whether there will ever be a single, unified “we” that encompasses all of humanity, given the tendency for divisions and distinctions. Hillis suggests that nation states may eventually become less relevant as organizing principles, with corporations and other entities playing a more significant role.
Natural Tendencies and Information Processing: Danny Hillis observes a natural tendency for things to organize themselves into larger units, similar to single-cell organisms evolving into multi-cell organisms or people forming societies. He sees this as a trend related to information processing and believes that humanity may be evolving toward a more collective consciousness. Hillis wonders what it would be like to experience the emergence of a group mind, with humanity functioning as individual cells within a larger, intelligent entity.
Corporations as Group Minds: Corporations resemble group minds with independent goals influenced by employees, owners, customers, and various stakeholders.
The Advantage of Small, Fast Units: In contrast to the growth of large corporations, small, fast units maintain advantages due to their agility and adaptability.
Fractionating the Self: Individuals can participate in multiple communities or groups, dividing their attention and energy among various interests.
Brain Capacity Limits: Human brains may struggle to handle large communities, as evidenced by the tendency for tribes to split once they exceed 200 members.
Survey on Happiness and Fulfillment: A survey conducted by Der Stern revealed that West Germany, despite its economic prosperity, ranked lowest in terms of happiness and perceived fulfillment.
Top-Ranked Countries: Northern Ireland and South Africa, despite facing challenges such as IRA conflicts and apartheid, respectively, ranked highest in terms of happiness and fulfillment.
00:34:44 Political Futures, Social Organization, and Democracy
Enemies and External Challenges: People often find security in knowing who their friends and enemies are. The absence of clear enemies can lead to ambiguity and difficulty in defining common goals. External challenges, such as climate change or a threat from another planet, can serve as unifying forces against a common enemy.
States and Command Economies: States often desire enemies to justify command economies and centralized control. Democratic states may also secretly desire command economies for their ease of operation.
Global Culture and Fundamentalism: Global culture and fundamentalism represent opposing forces in society. Fundamentalists view global culture as a threat to their way of life and organize against it. Global culture absorbs its enemies by offering a tempting alternative.
The Borg and the Concept of Villainy: The Borg from Star Trek represent a concept of a world mind without enemies. Villains in fiction often seem to enjoy their roles and have good times. Villainy becomes less clear-cut when we consider the role of genetics and biological factors in human behavior.
Justice and Legal Sanctions in the Future: As we learn more about genetic and biological factors influencing human behavior, the concept of justice and legal sanctions may change. Society may shift towards viewing certain behaviors as unavoidable consequences of an individual’s biology rather than criminal acts.
Moving Beyond Good and Bad: The future may see a shift away from thinking in terms of good and bad people or things. Society may instead focus on identifying things to avoid and embrace based on their effects and consequences.
Political Systems and the Tyranny of the Minority: The current political system in many places is flawed, allowing special interests to pass laws that benefit a small group at the expense of the majority. Designing a future political system that avoids the tyranny of the minority and promotes the well-being of all citizens is a critical challenge.
Chimes Based on Bell Permutations: Brian Eno’s idea for the clock was to create a unique chime for every day in 10,000 years. With 10 bells, there are 3,628,800 possible permutations, which is approximately the number of days in 10,000 years.
Algorithm to Generate Unique Permutations: Danny Hillis devised an algorithm to generate the 3,628,800 unique permutations of the 10 bells. The algorithm works by imagining 10 positions, each representing a bell, and then generating all possible sequences of the bells.
Sea Bell and First Permutation: The first bell in the sequence is the sea bell, which represents the sea level rising and falling. The first permutation starts with the sea bell and then proceeds through the other bells in a specific order.
Repeating the Permutations: After all 3,628,800 permutations are played, the sequence starts again with the sea bell and continues through the permutations. This ensures that every day in 10,000 years has its unique chime.
Mechanism in the Clock: The clock contains a mechanism that physically rings the bells in the correct sequence. The mechanism is based on a counter that advances through the permutations and triggers the bells to ring.
00:47:03 10,000-Year Clock Mechanism and Its Permutated Bell
Introduction of the Clock Mechanism: Danny Hillis describes a clock mechanism designed to play a unique sequence of bells over 10,000 years.
Movement of Bells: The mechanism involves multiple bells, each with a specific number of positions. Each bell moves through its positions over a certain duration, with some moving daily and others less frequently.
Visual Representation: Brian Eno’s album cover provides a visual representation of the bell sequence for the month of January 7003. Each color represents a bell, and the higher bells move around more frequently.
Counting Mechanism: The clock employs a series of counters to keep track of the position of each bell. As one bell completes its sequence, it advances the counter for the next bell.
Durability of the Clock: The clock is designed to last for 10,000 years, with each moving part tested for its lifespan. Stainless steel and titanium are used in the construction for their durability.
Daily Experience of the Clock: Visitors to the clock can witness the sequence of 10 bells at noon each day. The clock adjusts itself for noon when sunlight enters the clock chamber.
Synthesized Bell Sounds: Brian Eno experimented with creating synthesized bell sounds with specific properties. The bells heard in the demonstration have unique harmonics and don’t resemble traditional bells.
Collaboration and Learning: The collaboration between Danny Hillis and Brian Eno led to mutual learning and growth. Hillis gained artistic insights from Eno, while Eno gained a more scientific perspective from Hillis.
00:55:30 Understanding the Essence of Music and Art
Music as a Mysterious Art: Brian Eno and Danny Hillis discuss the profound mystery of music and why humans engage in artistic pursuits such as painting and creating music. They question why people get excited about combinations of colors or sounds.
Danny Hillis’s Discovery of Singing: While driving, Danny Hillis discovers his ability to sing and learns to sing a cappella gospel with Brian Eno’s guidance.
Attitude Towards the Present and Attention to Detail: Danny Hillis highlights Brian Eno’s unique attitude of being present and attentive to the details of the moment. Eno often stops to admire intricate shadows on a crumpled piece of metal or listens attentively to the sound of a transformer.
Engineering Training and Sensory Awareness: Danny Hillis reflects on how his engineering training taught him to abstract away from sensory experiences, leading to a lack of awareness of his own body and senses. Eno’s focus on the present and attention to detail helps Hillis realize the importance of being fully present and engaged with the world around him.
00:58:07 Shifting Perspectives on Time and Experience in Long-Term Design
Evolving Focus: Danny Hillis’ initial focus was on the mechanical aspects and durability of the clock, ensuring its functionality for 10,000 years. Over time, his emphasis shifted towards the user experience and the emotional impact of the clock, recognizing its significance as a symbol of time and human connection.
Regular Check-Ins: Stewart Brand highlights the tradition of Longinel’s periodic public check-ins to assess progress and changes in the project’s design and conceptualization. These check-ins serve as opportunities for reflection and evaluation, allowing the team to adapt to new insights and evolving perspectives.
Changing Perspectives with Time: Brand acknowledges that the team members have undergone personal and intellectual growth over the past 20 years, leading to a shift in their understanding of the project’s significance. He prompts Danny Hillis and Brian Eno to reflect on how their perspectives have evolved during this time, considering their initial beginner’s mind approach and their current more experienced viewpoint.
Eno’s Reflection: Brian Eno expresses caution in providing a definitive answer, suggesting that a longer timeframe is necessary to fully comprehend the changes in his perspective. He acknowledges that the concept of the future has become more expansive and nuanced for him, no longer limited to short-term goals.
01:00:19 Considering History, Future, and Long-term Thinking
Extended Time Horizons: Brian Eno emphasizes the importance of thinking beyond decades and considering time frames of hundreds or even thousands of years. Stewart Brand mentions visiting a building designed by Albert Speer, intended to create impressive ruins, reflecting a “thousand-year life” perspective.
Historical Awareness: Eno and Danny Hillis share an interest in history, with Hillis reading extensively about it. This historical perspective provides a different viewpoint when considering current events and developments.
Long-Term Planning vs. Thinking: Hillis distinguishes between long-term planning, which attempts to control the future, and long-term thinking, which involves considering potential outcomes and implications. Yucca Mountain, a proposed nuclear waste disposal site, exemplifies the challenges of long-term planning due to the uncertainties involved.
01:02:47 The Appeal of Short-Term Planning and Improvisational Solutions
Value of 100-Year Solutions:
Reversible and politically tractable Provides options for future generations
Resistance to Improvisation:
People feel secure with long-term plans Fear of constant improvisation
Democratization of Creativity: Hacker ethic: make everyone a hacker Maker movement: make everyone a maker A cappella and other initiatives: make everyone an artist and inventor
Improvisational Comfort and Democracy: Trend towards increased comfort with improvisation Book recommendation: “The Confidence Trap” by David Runciman Democracy is inherently messy and improvisatory Authoritarian solutions are appealing due to their perceived clarity
01:04:56 Time: Cycles, Progress, and Improvisation
Three Views of Time: Cycle: Time is cyclical, with events repeating themselves. This view was dominant during the Dark Ages in the West and is still prevalent in Hinduism. Arrow of Progress: Time moves forward, with progress and improvement over time. This view has been dominant in recent history, particularly during the Industrial Revolution and the early 20th century. Improvisation: Time is fluid and unpredictable, with events unfolding spontaneously. This view is becoming more prominent as we move away from the idea of linear progress.
Jazz and the Improvisation View of Time: Jazz music reflects the improvisation view of time, with musicians responding to each other in the moment, creating a unique and unrepeatable performance. In a world governed by improvisation, the emphasis shifts from control to responsiveness and paying attention to the present moment.
Transition from Progress to Improvisation: As we move away from the idea of linear progress, we are entering an era where the improvisation view of time is becoming more dominant. This shift is driven by the increasing complexity and interconnectedness of the world, which makes it difficult to predict and control events.
Question on Fear of Finite Time and the Clock: The question explores how the clock, as a symbol of linear time, can counteract the fear of our finite existence. The answer to this question is not provided in the given text.
01:19:49 Surrender: An Umbrella for Sex, Drugs, Art, and Religion
Surrender in Art and Perception: Eno’s art and music aim to inspire surrender, encouraging viewers to let go and experience the work fully. In his visual shows, people often achieve a semi-comatose state, which Eno finds pleasurable.
Why Do People Seek Surrender? Eno suggests that people engage in various activities, such as art, sex, drugs, religion, and nature, to deliberately lose themselves and surrender control. He believes surrender is a gift that humans have, allowing them to connect with something greater than themselves.
Historical Context: Eno acknowledges that humans have experienced thousands of years of technical control, leading to advancements and conveniences. However, he emphasizes that humans also have a long history of surrendering to nature and learning to cope with unpredictable circumstances.
The Umbrella of Surrender: Eno proposes that surrender encompasses various activities where people deliberately lose themselves and become part of something larger. He sees a connection between surrender and art, sex, drugs, and religion, as they all involve letting go of control and connecting with a broader experience.
Zen Buddhism and Surrender: Eno draws a parallel between surrender and Zen Buddhism, acknowledging that the idea of surrender is a significant theme in the Buddhist tradition. He suggests that humans have a natural ability to surrender, which has been overshadowed by the emphasis on control in modern society.
01:24:14 Surrender and Control in Art and Experience
Surrender as an Artistic Experience: Art offers opportunities to practice surrender, letting go of control, and embracing the unknown. This process of surrender allows individuals to relearn and rehearse the ability to live with things out of their control.
The Perspective of Time: Thinking in terms of vast time periods helps shift the focus away from oneself as the center of the universe. This perspective encourages surrender to the idea of being a small part of a larger timeline.
Surrender in Zen and the Clock in the Mountain: Danny Hillis draws inspiration from Zen principles in designing the Clock in the Mountain. The design aims to create an environment that promotes surrender and letting go.
Physical and Mental Challenges Leading to Surrender: The journey to the Clock in the Mountain involves physical exertion, sleep deprivation, and confusion, all intended to break away from the sense of control. The narrowing staircase symbolizes the disruption of plans and expectations, forcing individuals to surrender to the unknown.
Deliberately Designed Elements for Surrender: Specific features of the Clock in the Mountain, such as the narrowing staircase, are designed to challenge expectations and plans. These elements aim to fool individuals into thinking they have a plan and then reveal the lack of control they possess.
The Reality of Life: The Clock in the Mountain serves as a reminder that life often involves letting go of plans and embracing the unexpected. Surrender is not just an artistic experience but a fundamental aspect of the human experience.
Abstract
“A Timeless Dialogue: Brian Eno, Danny Hillis, and the Art of Long-Term Thinking”
In a profound conversation between Brian Eno, an iconic artist and Long Now board member, and Danny Hillis, an inventor and Long Now co-founder, the essence of time, art, and the human narrative unfolds. This dialogue not only explores Eno’s ambitious music projects and Hillis’s innovative 10,000-year clock but also delves into the broader implications of long-term thinking, the role of artistic and cultural expressions, and the future of humanity. Their exchange, ranging from whimsical ideas like Eno’s white-on-white painting to serious contemplations on the future of civilizations, offers a kaleidoscope of perspectives on how we perceive our place in the continuum of time.
The Essence of Time and Art:
The conversation between Eno and Hillis navigates through their initial struggles and eventual appreciation of the concept of time, particularly reflected in Eno’s evolving view of Hillis’s 10,000-year clock. They explore how art intertwines with time, with examples like Hillis’s modifications of Dutch masterpieces and Eno’s white snow scenes, showing how artistic expressions shape our understanding of history and culture. Over two decades, their approach to long-term thinking has matured, focusing on considering future outcomes and implications over strict planning. Eno highlights the importance of thinking in extended time horizons, spanning hundreds or thousands of years, to grasp the significance of our actions and decisions.
Cultural Significance and Long-Term Perspectives:
Their dialogue expands to include the transformative impact of cultural objects, like the first Earth picture from space, on our collective consciousness. The Clock of the Long Now emerges as a metaphor encouraging a shift from short-term thinking to long-term perspectives. Eno’s interaction with an ancient Egyptian artifact exemplifies this, linking present societies to ancient civilizations and prompting thoughts on lasting legacies. Eno and Hillis emphasize the importance of historical awareness in understanding current events and advocate for the 100-year solution, which proposes reversible and adaptable options for future generations.
The Role of Expectations and Optimism in Shaping the Future:
Discussing the influence of expectations on the future, Eno and Hillis’s dialogue swings between optimism and pessimism. They touch on various themes like space colonization, community evolution, and adapting to new planets through synthetic biology, highlighting the importance of balancing realism and hope. They observe a growing trend towards comfort with improvisation and uncertainty in decision-making, and how democratizing creativity through movements like the hacker ethic and maker movement empowers individuals in art and innovation.
The Concept of Corporations and Community Dynamics:
Eno and Hillis reflect on the evolution of human organization, discussing corporations as complex entities with varying influences and goals. They contrast this with fragmented community involvement and the human inclination towards smaller social structures, offering insights into navigating modern social and corporate dynamics.
Happiness Paradox and the Role of Challenges:
Their conversation then turns to the ‘happiness paradox,’ where economic prosperity doesn’t always equate to happiness. They suggest that common challenges often unite communities and instill a sense of purpose. This idea is intertwined with their views on the current political landscape and the need for systems that accommodate conflict and diverse interests.
The Clock of the Long Now: A Symbol of Continuity and Change:
At the heart of their discussion is the Clock of the Long Now, a project symbolizing the continuous evolution of human experience and our quest for understanding. The Clock in the Mountain, embodying this concept, reminds us that life often requires surrendering to the unexpected, an idea both artistic and intrinsic to the human experience.
The Art of Surrender and Acceptance:
Concluding their dialogue, Eno and Hillis emphasize the importance of surrender and acceptance. Eno views embracing life’s ‘muddle’ as essential to creativity and connection. The Clock of the Long Now, with its unpredictable nature, symbolizes this journey of surrender, underscoring our role in the vast timeline of existence. The art of surrender, as Eno suggests, involves letting go of control and embracing the unknown, a practice beneficial in navigating life’s vast time periods.
Brian Eno and Danny Hillis’s conversation transcends typical discourse, offering a rich array of ideas that challenge and inspire. Covering long-term thinking, human emotions, and creativity, their dialogue serves as a profound reminder of our place in the continuum of time and the lasting impact of our actions and thoughts on the future.
Additional Insights:
Over the past 20 years, Eno and Hillis’s views on long-term thinking have evolved, shifting from a beginner’s mindset to a more seasoned perspective. Their approach now emphasizes considering potential outcomes and implications rather than attempting to control the future through detailed planning. Eno highlights the importance of extended time horizons in assessing the impact of our actions and decisions. They believe that historical awareness offers a unique lens through which to view current events and developments, and advocate for the 100-year solution approach, which provides reversible and adaptable options for future generations. The growing trend towards comfort with improvisation and uncertainty in decision-making is also noted, as well as how movements like the hacker ethic and maker movement democratize creativity and empower individuals.
Three Views of Time:
– The concept of time is seen through three lenses: the cyclic view, where events repeat; the arrow of progress, where time is seen as moving forward with continual improvement; and the improvisation view, where time is fluid and unpredictable. The improvisation view, reflected in jazz music, emphasizes responsiveness and attention to the present moment. This view is becoming more prominent as the world moves away from linear progress.
Transition from Progress to Improvisation:
– The shift from a linear view of progress to a focus on improvisation reflects the increasing complexity and interconnectedness of the world, challenging the predictability and control of events.
Surrender in Art and Perception:
– Eno’s art and music aim to inspire surrender, inviting viewers to fully immerse and lose themselves in the experience. This surrender, sought through various activities like art, sex, drugs, religion, and nature, is seen as a gift, allowing connection with something greater than oneself.
Historical Context:
– While acknowledging the thousands of years of technical control and advancements, Eno emphasizes the importance of surrender to nature and coping with unpredictability.
The Umbrella of Surrender:
– Surrender encompasses activities where people lose themselves in something larger, connecting art, sex, drugs, and religion through the common theme of letting go of control.
Zen Buddhism and Surrender:
– Eno relates surrender to Zen Buddhism, highlighting the natural human ability to surrender, often overshadowed by the modern emphasis on control.
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